Wednesday, February 15, 2012

Pavan Kumar to young film makers

Pavan Kumar is a Kannada film maker.


  Off late I have been getting too many requests from people who want to work with me. I want to tell them and the others the hard truth. No one will ever tell you this, and that’s the reason why things around us are the way they are.
Stop fantasizing about feature films. Stop glorifying the idea of getting to make a film and releasing it in a movie theatre. The game out here is not what it appears to be from the other side. As dreamers, we dream of making feature films and releasing them in the theatres. We think, that’s what is called as success.  I have written for three feature films, acted in six and directed one, and when I talk about realities, you must take it seriously for your own good.
Please understand that film making in India is less of art and more of business. The sooner you get that, the happier you are. So you must decide whether you want to do business or films. This decision will take you in two different directions. So please do decide what you want to do.
Feature films that release in theatres is all about branding and business. Its the new circus. Don’t get here with dreams to tell a novel story. Your job would be to provide entertainment, entertainment that a 6 year old can understand. To excel in this area, you need skills in marketing and PR, more than the skill of film making. The majority of the audience don’t care whether you have anything new to tell, they want to be fooled into thinking that you are saying something new. Its a circus, you must know how to get the most popular clown and then spice it up with some hot chics and then add little action here and there. Ask yourself if you know how to do all this? The sad part is that no one teaches you these things, nobody can. The skills required to do all of these things is inborn and those talented people eventually make it big and are known as successful filmmakers. And there is nothing wrong in being able to do that. In fact it is very difficult, more difficult than making something from the heart. I am one of the less talented guys in this area of film making and I am wondering how to get better at this. So if you are someone who is dreaming to do all of that, then stop watching foreign films, stop being smart and intelligent, instead try being innocent. Start brushing up skills on marketing and building contacts. Most of the producers and studio all over the country will not look what script you are carrying, they will see which star has given you the dates. It might sound bad, but that’s the truth, get in terms with that. A major production house told me that I must write scripts which a 6 year old should be able to understand and that’s when they will produce it, they said this after watching lifeu Ishtene and knowing how successful it was commercially.
Am I against commercial films? Am I complaining? Nope, not a bit. When there is a demand, there is a supply, there is nothing wrong in that. I am just asking the new breed to know what they want to get into. Some of you may want to come and change things, that could be your plan. Its a plan everyone comes with, including me. Some of the film makers you hate now also started with the same intention. Recently a senior producer whom I met said – ‘Its easy to wake up someone who is sleeping, but impossible to wake up someone who is pretending to sleep’. This was his way of advising me not to be too creative with what I write for commercial cinema. I believe that the majority of the theatre going audience don’t want to wake up. Time and again the statistics has proved that right. They want the circus. At this point some of you will list out a handful of films which were out of the box and still were successful commercially. But you don’t know what the film maker goes through after such films. We appreciate Anurag Kashyup, we are in awe of the films he makes but his every new film is a struggle for him. Its like starting all over again. But he enjoys this process, so he keeps going through that. But are all dreamers cut out for such hardships? Only they can tell. Getting my first film was a lot easier than getting the second one. No one knew what I could do last year. Now they know how Lifeu Ishtene was and it scares them that I might end up doing something like that again, I am constantly advised to make something commercial. For a commercial producer, Lifeu Ishtene is not a film they would want to make, though it made profits, they always want to play safe. So all those of you out there inspired by my story of making lifeu ishtene, please know these facts and then contact me. Paper article tend to glorify our careers, don’t fall for it.
You all know that one in a million eventually gets to run the circus. What about the rest? Honestly, I feel the rest are in a better place. If you are someone who is new with all the zeal, by trying to be my assistant or anybody’s assistant, you are wasting your time. The world is changing really fast. And everyone is changing differently within their own geographical regions. The theatre going audience in India is way different from the ones outside India. It is very natural for a young dreamer to be inspired by foreign films, most of the times that is your seed to become a film maker. But 10 years from the day the seed was sown, you will be a very frustrated person, if you try to follow the old methods.
I want you all to be part of the new wave. Stop thinking about being on Filmy Funda or Zoom TV. Start thinking about being on millions of laptops and Ipads. Start making the films you want to make. Don’t fall into the commercial cinema crap trap. The technology today is filmmaker friendly. Think new. commercial cinema will give you budgets, but it will tweak your dream into a product that the market is demanding. Trust me, this process is not fun at all.
So my advice to all the new dreamers is that, be a story teller. Use the technology and tell a story, there are audience all over the world who want to watch good stories, it is the same audience who don’t go to the cinema halls anymore, and they are in majority. Why make commercial feature films by selling your soul when only a small percentage of audience will watch it, instead make what you want and release it worldwide online, you might not make as much money as you make in commercial cinema but you will be able to sleep better. My new initiative Home Talkies is to support this idea and trust me that’s the future. Watch Iranian cinema. See what they did in pressure and constraints. Develop your own style of telling a story, it will make you unique. That’s what the whole world will appreciate. Don’t dream of 3 weeks of theatrical fame and lose your soul, its not worth at all. I am not just advising this to the young, I am going to start doing the same very soon. I was never cut out to run a circus anyway, I wish I was because I could have made loads of money :)
Please see Christopher Nolan’s First feature film – Following. A film that made me a filmmaker. You must see the film and then watch it  again with nolan’s commentary. He made this film with no producer, shot only on weekends and worked jobs on weekdays. All the actors are his friends and family members. He showcased this film at film festivals, and asked people to donate money to make memento. Today he is the man who can make Inception!
Whenever I am a little low, I watch Following, it reminds me that – I am my own limitation!

Friday, January 27, 2012

Creative writing and Script writing in February in Bangalore

SCRIPT WRITING WORKSHOPStorygram is starting a three weekend workshop on script writing starting this Sunday, 12 th February, from 11 am to 6 pm.
VENUE : Pioneer Manpower Solutions, 14/1, 3rd floor, Wood Street, Parallel to Castle street, Ashok Nagar, Richmond Road, Bangalore.
Landmark: diagonally opposite to Sacred Hearts' Church, next to Reliance Trends, near Show Off outlet
All the students will write a five minute script in the Celtex (American screenplay) format during the course. We will learn how to 'show' and not 'tell' the story in the audiovisual language of scriptwriting. We will study how good scripts are written by analysing scenes from good films, by reading the scenes and then viewing them. The theoretical aspects that would be covered are:  Characterization, Plot, Theme, Dialogue writing, Structure, and Flow.

All the writing classes will have ample writing assignments for the students. These assignments will be either read out in class or feedback will be given over email. Since the workshop is spread out over three Sundays, the students will also get homework assignments. The end result of this endevour would be a complete short film script, in the proper audio-visual format.
Fees : Rs. 6,200/ Call 9945192862 to register.
Teachers Profile :
Manjushree Abhinav is an author and a film maker. She has studied at FTII, Pune and worked in the film industry in Mumbai for ten years as an AD, scriptwriter, and has made her own short films. After that, she went on to teach at reputed institutes like NID in Ahemedabad, FTII in Pune and SRISTI in Bangalore. She has conducted several creative writing workshops at Times of India. Her films are uploaded on this site. Her book, A Grasshopper's Pilgrimage, is available on flipkart. Manjushree lives in Bangalore, she blogs at www.baktoo.blogspot.com  and her email id is manjushree.abhinav@gmail.com .
CREATIVE WRITING WORKSHOP
Storygram is also planning a creative writing workshop on 18th February, Sunday, from 11 am to 6 pm.
Fees: Rs 1,600/ Call 9945192862 to register.
SOULPEN  1
  • A three step ritual to loosen the writers block.*
  • Exploring the map of the mind, from oceans to the stars, to write a short story.
  • The two approaches to fiction: A ) the American Conflict- Resolution Structure and B ) the Navarasas.
  • Secret tools of a writer.**
Participants will be given plenty of writing exercises during the workshop to bring home their understanding of the concepts.

*DEALING WITH THE WRITERS BLOCK
Why do we write? Because we need to tell the story. As children, all of us are born creative. When we learn to talk, there is no difference between imagination and reality. Education encourages us to develop our logic and the creative process takes a back seat. The glimpses of the muse are short and sweet: She comes visiting, she leaves a scene and takes back the movie. Missing the muse, the creative spirit, leads to the writer’s block.
Creative blockage can happen to the best of artists. Although we call this a writer’s unblocking ritual, this exercise is known to help all kinds of artists in getting over their creative blocks. This exercise is self-introspective and at the same time lighthearted. Words get tossed out, opening a series of self traps. Those who are truly interested in unearthing their hidden depths love this exercise.

**SECRET TOOLS OF AN ARTIST
Creativity is not just a hobby. It is a spiritual path. More like a spiritual garden. A garden that is watered with attention and shined on with energy will flower. The creative gardner who is flowing in art carries a bag full of secret tools. I am not talking of the painters canvas and oils. Those you can buy in the shops. My bag is full of attitudes. Devil may care or not, the artist is not an artist without them.

Monday, January 16, 2012

Film making course in Bangalore from Feb to April, 2012

Please note : The next batch will begin on 20th May. Please subscribe to this blog for updates.

 'FINAL CUT'

A FILM MAKING COURSE
on  Saturdays & Sundays
from February to April, 2012

The course has started, but backup sessions are being conducted for late joiners. You may join the course till 18th February.

VENUE : Pioneer Manpower Solutions, 14/1, 3rd floor, Wood Street, Parallel to Castle street, Ashok Nagar, Richmond Road, Bangalore.
Landmark: diagonaly opposite to Sacred Hearts' Church, next to Reliance Trends, near Show Off outlet.

'FINAL CUT'

Manjushree Abhinav, a film-maker, novelist and teacher, is organizing the second batch of the course in film making, from concept to screen, on Sundays over three and a half months, in Bengaluru. Manjushree has taught at the Film and Television Institute of India, Pune, NID ( National Institute of Design, Ahmedabad), and SRISTI, Bangalore.
This Weekend batch organised by Manjushree Abhinav has a great faculty, reasonable fees and a convenient location. It gives people the opportunity to learn film-making without leaving their jobs or studies.
So you can now follow your dreams while taking care of your responsibilities.

COURSE CONTENT

We have altogether three modules:

1. Creative writing : Four sessions of half day each. (Rs.3,200/)

2. Script writing : Includes creative writing plus three full day sessions. (Rs.9,200)

3. Film making : Includes both creative writing and scriptwriting, plus acting workshop, camera practicals, Editing practicals and a short film. (Rs.24,800)
(For installment options, scroll down to Fee Structure )
Creative Writing : Since this course deals with fiction films, we would first tap the biggest reservoir of stories : an unblocked storehouse of memories and emotions. We will also understand the structure of the conflict-resolution story, and we shall dip into the Navarasas. The aim of the workshop is to dig out the blocks that hamper the sprouting of the creative juices and fuel the love of writing towards an intense and natural discipline. It will help the beginner as well as the writer who is stuck in the middle of a story, a script, a film….
Scriptwriting : The story we have structured in the creative writing workshop, we will strech out into an audio visual script. We will understand the elements of Scriptwriting: Characterization, Plot, Setting, Theme. Students will pitch their scripts to the batch, and a few scripts will be selected to be developed for shot breakdown and dialogues.
• Acting workshop : It is only when we our-self get liberated from inhibitions that we can direct others. A theater professional will teach us that acting is not acting, it is much much less.
Introduction to Screen Grammar : The various elements of shot-taking: Image Size, Camera Angles, Camera Movements, Lighting, Camera Speed, Stocks, Graphics, Colour. The Rule of Thirds & the Golden Points. Lenses. Depth of Field and Selective Focus. Maintaining continuity, the imaginary line.
• Camera Practicals : Basics of how to use a digital camera will be followed by shooting a five shot exercise to understand the rules of screen grammar in a practical manner. A professional camera person will show us that cinema is a play of light and movement.
• The Elements of Editing : What we have shot we will now edit on final cut pro, an editing software. We will also talk about how the history of Editing is synonymous with the development of language of cinema.
• Making the short film : The final project of the course will be to make a short fiction film with a small group of students, depending on the script that is selected.
Here is one of the films we made in the last workshop. Its called , The Skipping Rhyme. An old man gets an answer to a deep question from a little girl : http://www.youtube.com/watch?v=I9jPvErYrwM

TEACHER'S PROFILE
Manushree Abhinav has authored a novel, 'A Grasshopper's Pilgrimage'.
She is a film maker. She has studied at FTII, Film and Television Institute of India, Pune. She has made several documentary films, and taught various aspects of film making like scriptwriting, making documentary films, video editing, at FTII, NID (National Institute of Design), Ahemedabad, Srishti School of Art and Design, Bangalore.
She has also conducted several creative writing workshops at the Times of India Nalanda group, Bangalore, Ahemedabad and Mumbai.This is the second batch of film making workshops she is conducting in Bangalore.
She blogs at www.baktoo.blogspot.com.
CONTACT : Please contact 09945192862 OR manjushree.abhinav@gmail.com for more information.

FEE STRUCTURE
The film making course includes creative writing, script writing, acting workshop, camera practicals, elements of editing, and making the short film, over three months of weekend classes.
The total fees for this course is INR Twenty-nine thousand and eight hundred, (Rs.29,800/), payable in two installments, of Rs.15,800 at the time of registration and Rs 14,000/ before 5th of March.
Those who can pay the full amount in one go, will avail a discount of Rs. 5000, so they will have to pay only INR Twenty four thousand and eight hundred. ( Rs. 24,800/ )
The course fees cover the classes, the visiting faculty's fees, the cost of making the student film, and study material like books and cds. A donation of Rs 250 would be given from every student’s fees to a children’s charity.
Manjushree Abhinav’s Film making Course is right for you if you are:
A Newcomer: The course would equip you to enter the Film and Television Industry as an assistant director or to make short films independently.
A Mediaperson who’s learnt on the job: You would benefit from learning the basics formally and getting your fundas clear.
A Professional who is already working in the Industry in another capacity: It would help you become a full-fledged director.
From the Corporate Sector: The course would add to your qualifications since films are a very important medium of corporate communication & advertising.
Animators will understand film making, which is an important aspect of animation.

The benefits of joining this Film & TV Direction Course are:

SUNDAY CLASSES: Full-day classes on Sundays, so you can pursue your dreams without forsaking the responsibilities of your work or studies.
• WELL-DESIGNED SYLLABUS: More than 50% of class time would be devoted to hands-on film-making, so that you learn how to transform your ideas into films that light up the silver screen. While the course is practical-oriented, the theory portion would help you develop a sound understanding of the basics of story-telling and film-making. You will also be watching many world class films to appreciate the different aspects of the teaching.
• STUDENT FILM: You would write and direct a short film. The cinematography and editing would be done by professionals from the Industry, which would be a great learning experience. It would also result in a well-made film which you can be proud of and use as your show-reel as well as submit to film festivals.
STUDY MATERIAL : The students would be given:
  1. • Copies of important books
  2. • Scripts
  3. • Links to useful websites and free scriptwriting software
  4. • CDs & DVDs of some important films
• CERTIFICATE: You would be given a certificate at the successful completion of the course.
• FILM FESTIVALS: The student films made as part of the course would be sent to film festivals.
• DEMAND FOR FRESH VOICES: The Indian film and television industry is looking for fresh voices. With the diminishing appeal of the formula masala film, there is a demand for out-of-the-box thinking, for directors who understand the art and craft of film-making. It’s a great time to enter the field

Friday, September 30, 2011

FILM & TV DIRECTION COURSE in Mumbai

FILM & TV DIRECTION COURSE in Mumbai

***  “Rajashree taught me how to create 3-dimensional characters, structure the plot, and direct actors, which helped me tremendously when I was writing and directing my movie.” Rakesh Mehta, Rajashree’s ex-student, whose debut feature film, ‘Khuda Kushi’ has won 3 international awards. ***

***  "The next best thing to a course at FTII." - Bharati Hemmady, Rajashree's ex-student.  ***

Do you dream of making feature films, TV shows or short films? But can't spare the time to learn full-time? Rajashree, an award-winning film-maker and bestselling novelist, is organising a course in film and television direction, from concept to screen, with full-day classes on Sundays over 4 months, in Andheri (West), Bombay. The course fees have recently been reduced to Rs 24,400 (if the student pays the full amount at the time of registration.). This makes it great value for money, since the fees cover the classes, the cost of making the student film, refreshments during classes, a directory of the Film & TV industry and study material like books and cds. This course has been especially designed for people who passionately want to make feature films, television shows or short films, but can't spare the time to learn full-time since they work or go to college on weekdays. Rajashree has taught at the Film and Television Institute of India, Pune, and some of the best film schools in Bombay.

^_^  Please contact +919769449556 or rajashree.in@gmail.com for more information asap since the course begins soon in October 2011.


NEW: An added feature of this batch of the Film & TV Direction Course is that students will now be taught the basics of how to shoot with a video camera, record with a professional microphone and edit on an editing machine. This would help you to become a better director and communicate well with the cinematographers, sound recordists and editors who work with you. Alternatively, you can build on these skills and become a one-person unit, shooting and editing your own independent short films. These short films can be shown at film festivals, screened on television, and also uploaded on You-tube & social networking sites for thousands of people to watch.

Three films made by students as a part of this course were screened at the Short Film Center at the prestigious International Film Festival of India, Goa, 2010. This Sunday course organised by Rajashree is very popular because it has a great faculty, reasonable fees and a covenient location. And because it gives people the opportunity to learn film-making without leaving their jobs or studies.

So you can now follow your dreams while taking care of your responsibilities.

Rajashree’s Film & TV Direction Course is right for you if you are:

•    A Newcomer:  The course would equip you to enter the Film and Television Industry as an assistant director or to make short films independently.

•    An Animator: You would build on your skills by learning Film & TV Direction. It would make you a better animator, since film-making is such a vital part of animation. Or, if you want to shift to live action, it would help you do that.

•    A BMM/ BMS Student: The BMS/ BMM course introduces you to various mass media. If you want to specialise in films and TV, this course is just right for you.

•    A Mediaperson who’s learnt on the job: You would benefit from learning the basics formally and getting your fundas clear.

•    A Professional who is already working in the Industry in another capacity: It would help you become a full-fledged director.

•    From the Corporate Sector: The course would add to your qualifications since films are an increasingly important medium of corporate communication & advertising.

*** "Rajashree is like the energy drink Red Bull! She motivates you to spring into action and pushes you to deliver beyond your limits." - Priya Saraiya, Rajashree’s ex-student. ***

The benefits of joining this Film & TV Direction Course are:

•    FACULTY: The course is organised by Rajashree, an award-winning film-maker and bestselling novelist who has taught at the Film & Television Institute of India and some of the best film schools in Bombay. The faculty members are FTII alumni and professionals from the film industry.

•    SUNDAY CLASSES: Full-day classes on Sundays, so you can pursue your dreams without forsaking the responsibilities of your work or studies.

•    WELL-DESIGNED SYLLABUS: More than 50% of class time would be devoted to hands-on film-making, so that you learn how to transform your ideas into films that light up the silver screen. While the course is practical-oriented, the theory portion would help you develop a sound understanding of the basics of story-telling and film-making.

•    LEARN TO SHOOT, RECORD & EDIT: Learn the basics of how to shoot with a video camera, record with a professional microphone and edit on a personal computer. You would also learn how to upload your film on You-tube and send it to film festivals. Nowadays, technology has made it very easy for people to shoot and edit their own films at a minimal cost, and distribute them widely - catch the spirit of the times and soar high!

•    STUDENT FILM: You would write and direct a short film. The cinematography and editing would be done by professionals from the Industry, which would be a great learning experience. It would also result in a well-made film which you can be proud of and use as your showreel as well as submit to film festivals.

•    VENUE: The classes will be held in an air-conditioned classroom in Andheri (West).  Since the venue is on S.V. Road, opposite the railway station, it is very easy to reach.

•           VALUE FOR MONEY: The course is fabulous value for money, since the fees have recently been reduced to Rs 24,400 (if the student pays the full amount at the time of registration.) The fees cover the classes, the cost of making the student film, refreshments during classes, a directory of the Film & TV industry and study material like books and cds. A donation of Rs 500 would be given from every student’s fees to a children’s charity.
 •           CERTIFICATE: You would be given a certificate at the successful completion of the course.

•           FILM FESTIVALS: The The student films made as part of the course are sent for film festivals. Three films made by previous batches were screened at the Short Film Center at the International Film Festival of India in Goa, 2010.

•           PLACEMENTS: We have tied up with 1TakeMedia.Com - India's Largest Entertainment Jobs, Casting, Distribution & Resources Platform. As our placement partners, they will help you in getting a job in the Film & TV Industry after you've completed our course.

•    DEMAND FOR FRESH VOICES: The Indian film and television industry is looking for fresh voices. With the diminishing appeal of the formula masala film, there is a demand for out-of-the-box thinking, for directors who understand the art and craft of film-making. It’s a great time to enter the field.

*** "I have had an amazing experience with Rajashree’s script-writing and film-making workshops. The workshops were structured very well and had a good effective blend of relevant theory, creative discussions on assignments, analysis of classics and hands-on experience in writing a script and making a short film. The workshops were conducted very diligently in a focused manner encouraging participation from all students. I found them to be especially useful for working persons as the structure and organization of the workshop accommodated these aspects very well."         - Rajesh V. , ex-student ***

^_^  Please contact +919769449556 or rajashree.in@gmail.com for more information asap since the course begins soon in October 2011.

FACULTY

Rajashree has been a film buff since she was a kid – she stood in a line for five hours to get tickets for Sholay when it was re-released. She has been working in Bombay after studying direction at the Film and Television Institute of India, Poona. She’s assisted Mansoor Khan and Sanjay Leela Bhansali. A film she wrote and directed, The Rebel, was screened at many film festivals, and won the National Award and the Golden Ten Award. She has worked as a producer on television shows like Indian Idol. She has served as a member of the Executive Committee of the Film Writers’ Association. Her critically acclaimed first book, Trust Me, is a lighthearted romantic comedy set in the Bombay film industry. According to figures given by The Times of India and The Sunday Telegraph, Trust Me is the biggest-selling Indian chick lit novel. She is represented by Isabel Atherton, the director of Creative Authors, a literary agency based in the UK.  She has taught at her alma mater and some of the best film schools in Bombay. She has been organising courses independently since 2009. http://rajashree.in

A.M. Padmanabhan, a National Award-winning sound designer, would teach the students about post-production. He has taught at the Film and Television Institute of India, Pune, and the Satyajit Ray Film and Television Institute, Kolkata.

The other faculty members would be FTII alumni and professionals from the film industry.

CONTACT

^_^  Please contact +919769449556 or rajashree.in@gmail.com for more information asap since the course begins soon in October 2011.

DURATION

Full-day classes on 13 Sundays, and 1 Saturday, plus half-day class on 1 Sunday, over 4 months.



FEE STRUCTURE

The course fees cover the classes, the cost of making the student film, refreshments during classes, a directory of the Film & TV industry and study material like books and cds. A donation of Rs 500 would be given from every student’s fees to a children’s charity.

There are two plans for paying the fees:

1.         It is preferable if the student pays the full amount at the time of registration. The fees would be Rs 24,400 for this plan.

2.         It is also possible for the student to pay in monthly installments, in the form of post-dated cheques (non-refundable) that would be submitted at the time of registration. The fees would work out to Rs 29,400 if the payment is made in installments.

The first installment: Rs 9,400
The second installment: Rs 7,500
The third installment: Rs 7,500
The fourth installment: Rs 5,000

COMPLIMENTARY REFRESHMENTS: would be provided to the students during classes.

CHARITY : The administration would give Rs 500 from the fees paid by each student to an NGO that’s working for underprivileged children.

STUDY MATERIAL:
The students would be given:
•    Copies of important books
•    Scripts
•    Links to useful websites and free scriptwriting software
•    A directory of phone numbers and addresses of everybody in the Film and TV Industry
•    CDs & DVDs of some important films

COURSE CONTENT: The course has been designed to teach the students the basics of film-making. There is a well-worked-out balance of practicals and theory classes.

SYLLABUS: You can read the detailed syllabus at http://rajashree.in/workshops

The topics that would be covered are:

• The Process of Making a Film

• Scriptwriting: Audiovisual Writing & the Format for Writing the Synopsis, Step-outline, Screenplay and Script for a film.

• The Elements of Scriptwriting: Characterisation, Plot, Setting & Theme

• Introduction to Screen Grammar: What is a shot? The editing transitions that can be used to join two shots: Cut, Dissolve, Fade, Wipe, Bleach. The various elements of shot-taking: Image Size, Camera Angles, Camera Movements, Lighting, Camera Speed, Stocks, Graphics, Colour. The Rule of Thirds & the Golden Points. Lenses. Depth of Field and Selective Focus.

• How to Shoot with a Video Camera

• Shot Breakdown

• Continuity and the Imaginary Line

• Ways of Shooting

• Preparing for a Shoot

• Assisting in Direction

• Directing Actors

• Sound Design

• How to Record Sound with a Professional Microphone

• The Principles of Editing

• How to Edit on a Personal Computer

• How to Make Your Own Low-Budget (or No-Budget) film

• Television: Genres & Techniques

• Film History


^_^  Please contact +919769449556 or rajashree.in@gmail.com for more information asap since the course begins soon in October 2011.

For the detailed syllabus of Rajashree’s Film & TV Direction Course, please go to  HYPERLINK "http://rajashree.in/workshops/" \t "_blank" http://rajashree.in/workshops/

COMMENTS ABOUT RAJASHREE'S WORKSHOPS BY EX-STUDENTS:

"I had read quite a few books by Syd Field and Robert McKee but most of them had been written keeping in mind Hollywood  movies. After attending Rajashree's workshop I got to know that Bollywood is a different ball game altogether and what works in Hollywood might not necessarily work in Bollywood, or to make it work you need to add those extra spices (masala) to make it palatable for Indian Audience. If you need to know what works in Bollywood and Tellywood (I mean television) per se, the Bollywood Structure, the Rasas etc., then you must attend her workshop."         - Brijesh Bolar

"To me, Rajashree is like the energy drink Red Bull! She motivates you to spring into action and pushes you to deliver beyond your limits. Without her encouragement, I dont think I would have been able to transform my idea into a screenplay .....And with her encouragement came the right dose of constructive criticism......Also it was a great help to share and brainstorm ideas in the presence of other students and see where your idea stands....It is a relief to see so many people sailing in the same boat as you are and trying to get better and getting there. I was actually groping in the dark when Rajashree came as a ray of hope...."         - Priya Saraiya

"This programme gave me the mechanics of writing for features, along with the confidence. But what Rajashree really did was crack the whip, pushing us constantly to keep writing and keep exploring. The lively discussions were the best part of this programme."         - Satish Desa

"You can't open a door by pushing a wall, this is what I realised in the workshop. Rajashree will not only let you open your thoughts but also direct them to a proper way so that we push the door and not the wall."         - Amit Shukla

Monday, September 26, 2011

Scriptwriting and Film making course in Bangalore

For the Film making course starting mid Jan'12 in Bangalore, please go this link: http://baktoo.blogspot.com/2011/12/film-making-course-in-bangalore-from.html


SCRIPTWRITING AND FILM MAKING COURSE
on Saturdays or Sundays
from October 1st to December' 11


Venue : PROTOSPACE, No. 6 , 2 cross. M.R.Garden, near Rangabharana Kala Kendra,
Sanjay Nagar, Bangalore 560094. (Five minutes from Mekhri Circle) Click on the image above to enlarge the map.
Manjushree Abhinav, a film-maker, novelist and teacher, is organizing a course in film and television direction, from concept to screen, with full-day classes on Sundays over 4 months, in Bengaluru. This course has been especially designed for people who passionately want to make feature films, television shows or short films, but can’t spare the time to learn full-time since they work or go to college on weekdays. Manjushree has taught at the Film and Television Institute of India, Pune, NID ( National Institute of Design, Ahmedabad), and SRISTI, Bangalore.
This Sunday course organised by Manjushree Abhinav has a great faculty, reasonable fees and a convenient location. It gives people the opportunity to learn film-making without leaving their jobs or studies.
So you can now follow your dreams while taking care of your responsibilities.
COURSE CONTENT

The course has been designed to teach the students the basics of film-making. There is a well-worked-out balance of practicals and theory classes. The topics that would be covered are:
Creative Writing : Since this course deals with fiction films, we would first tap the biggest reservoir of stories : an unblocked storehouse of memories and emotions. We will also understand the structure of the conflict-resolution story, and we shall dip into the Navarasas.

(You can join the creative writing course of two days, October 1st and 2nd, 11 am to 6 pm on both days, for Rs.2,400/ ) Details of the creative writing syllabus are here: http://storygram.in/2011/08/06/creative-writing-workshop/http://storygram.in/2011/08/06/creative-writing-workshop/
Scriptwriting: Audiovisual Writing & the Format for Writing the Synopsis, Step-outline, Screenplay and Script for a film or television serial.
The Elements of Scriptwriting: Characterisation, Plot, Setting & Theme.
Introduction to Screen Grammar: What is a shot? The editing transitions that can be used to join two shots: Cut, Dissolve, Fade, Wipe, Bleach. The various elements of shot-taking: Image Size, Camera Angles, Camera Movements, Lighting, Camera Speed, Stocks, Graphics, Colour. The Rule of Thirds & the Golden Points. Lenses. Depth of Field and Selective Focus.
• Shot Breakdown
(All the writing classes will have ample writing assignments for the students. These assignments will be either read out in class or feedback will be given over email.)
• Continuity and the Imaginary Line

• Ways of Shooting
• Preparing for a shoot
• Assisting in Direction
• The Elements of Editing : A film is made on two tables, the writing table and the editing table. Pace, rhythm, timing, suspense and surprise: all of these are made or ruined during editing.
• Sound Design
This will be a practical, hands on course, with screenings of film clips of international cinema to illustrate the concepts being taught. The Camera practicals will incorporate the principles of Editing. We will have a professional cameraperson and a professional editor to demonstrate the practical aspects of Cinematography and Editing.
  • The end result of the course will be a short film made by a group of students, with the help of professionals from the industry.

Manjushree Abhinav’s Film & TV Direction Course is right for you if you are:
A Newcomer: The course would equip you to enter the Film and Television Industry as an assistant director or to make short films independently.
A Mediaperson who’s learnt on the job: You would benefit from learning the basics formally and getting your fundas clear.
A Professional who is already working in the Industry in another capacity: It would help you become a full-fledged director.
From the Corporate Sector: The course would add to your qualifications since films are a very important medium of corporate communication & advertising.
Animators will understand film making, which is an important aspect of animation.
The benefits of joining this Film & TV Direction Course are:
SUNDAY CLASSES: Full-day classes on Sundays, so you can pursue your dreams without forsaking the responsibilities of your work or studies.
• WELL-DESIGNED SYLLABUS: More than 50% of class time would be devoted to hands-on film-making, so that you learn how to transform your ideas into films that light up the silver screen. While the course is practical-oriented, the theory portion would help you develop a sound understanding of the basics of story-telling and film-making. You will also be watching many world class films to appreciate the different aspects of the teaching.
• STUDENT FILM: You would write and direct a short film. The cinematography and editing would be done by professionals from the Industry, which would be a great learning experience. It would also result in a well-made film which you can be proud of and use as your show-reel as well as submit to film festivals.
• CERTIFICATE: You would be given a certificate at the successful completion of the course.
• FILM FESTIVALS: The student films made as part of the course would be sent to film festivals.
• DEMAND FOR FRESH VOICES: The Indian film and television industry is looking for fresh voices. With the diminishing appeal of the formula masala film, there is a demand for out-of-the-box thinking, for directors who understand the art and craft of film-making. It’s a great time to enter the field
TEACHER'S PROFILE
Manushree Abhinav has authored a novel, 'A Grasshopper's Pilgrimage'.
She is a film maker. She has studied at FTII, Film and Television Institute of India, Pune. She has made several documentary films, and taught various aspects of film making like scriptwriting, making documentary films, video editing, at FTII, NID (National Institute of Design), Ahemedabad, Srishti School of Art and Design, Bangalore.
She has also conducted several creative writing workshops at the Times of India Nalanda group, Bangalore, Ahemedabad and Mumbai.
She blogs at www.baktoo.blogspot.com and her website is www.storygram.in.
CONTACT : Please contact 09945192862 OR manjushree.abhinav@gmail.com for more information.
DURATION : Full-day classes on 12 Sundays and half-day classes on 4 Sundays over 4 months starting from 11th Sept, Sunday.
VENUE : Venue : PROTOSPACE, No. 6 , 2 cross. M.R.Garden, near Rangabharana Kala Kendra, Sanjay Nagar, Bangalore 560094. (Five minutes from Mekhri Circle)
FEE STRUCTURE :The course fees cover the classes, the cost of making the student film, and study material like books and cds. A donation of Rs 250 would be given from every student’s fees to a children’s charity.
There are two plans for paying the fees:
1. It is preferable if the student pays the full amount at the time of registration. The total fees would be Rs 24,700 for this plan.
2. It is also possible for the student to pay in monthly installments, in the form of post-dated cheques (non-refundable) that would be submitted at the time of registration. The fees would work out to Rs 29,700 if the payment is made in installments.
The first installment: Rs 10,700
The second installment: Rs 10,000
The third installment: Rs 9,000
Special discounts for retired, unemployed people and Students is available.

SCRIPTWRITING COURSE : would span across full day classes on six Saturdays or Sundays, from 1st Oct and cost Rs. 6,200/

Creative Writing, The Elements of Scriptwriting: Characterization, Plot, Setting & Theme would be the topics covered in this course. Each topic will have writing assignments to bring home the theoretical aspects taught in the class. Students will learn to write a five minute script in Celtx format.

STUDY MATERIAL :
The students would be given:
Copies of important books
Scripts
Links to useful websites and free scriptwriting software
CDs & DVDs of some important films
The above fees includes the cost of hiring the shooting equipment, venue rental and faculty remunerations.

Sunday, September 25, 2011

Creative Writing Workshop in Bangalore in October




SOULPEN
Discover and Recover the artist within. Nurture the creative self by art therapy.

Creative Writing Workshops in Bangalore
Soulpen level 1 and level 2

Dates: 1st October, 11am to 6pm, and 2nd October.
(it is also possible to do the second class on Saturday, 8th october)

Cost - The fees per participant, for both Soulpen 1 and 2, is Rs. 2,400/-
Contact - me at manjushree.abhinav@gmail.com or call 9945192862
Venue : PROTOSPACE, No. 6 , 2 cross. M.R.Garden, near Rangabharana Kala Kendra, Sanjay Nagar, Bangalore 560094. (Five minutes from Mekhri Circle)

FOCUS

Writing is healing with words, just as painting heals stroke by stroke. The creative energies flow well with regular scrubbing and clearing out the garbage that clogs our minds.
The aim of the workshop is to dig out the blocks that hamper the sprouting of the creative juices and fuel the love of writing towards an intense and natural discipline. It will help the beginner as well as the writer who is stuck in the middle of a story, a script, a film....
What is the essence of the creative process? What is the source of the artistic impulse ?A film, or a book, is born as a thought, a strong, palpable feeling that tugs. Once identified, this tug can be the link to the big bundle , the one that can stream out as the novel. All you need to do is to catch that thread from your bundle of thoughts and keep puling gently. Maybe you sat with a pen in your hand and tried to write. And maybe your bundle got tight and the thread snapped. Untangling that bundle can be a delicate, at times painful, but ultimately fulfilling creative process.Dealing with the tangled bundle requires something they don't sell in the shops. You can try to use fevicol and stick your bottom to the writers chair. If that doesn't work, come sign up for Soulpen.
Testimonial : Something more than creative writing happened in this class. I didn't realize that I had so much pain stored inside. During the writers block exercise, when Manjushree made us time travel to our childhood, I remembered the three year old girl who would dance, waiting for my father to come home and I wept tears of joy. - Sri Lata M, Oct' 10.
CLASS STRUCTURE
SOULPEN level 1
  • A three step ritual to loosen the writers block.
  • Exploring the map of the mind, from oceans to the stars, to write a short story.
  • The two approaches to fiction: A ) the American Conflict- Resolution Structure and B ) the Navarasas.
  • Secret tools of a writer
Participants will be given plenty of writing exercises during the workshop to bring home their understanding of the concepts.
SOULPEN level 2
  • Who writes : Sorting out the identity crisis
  • Characterization : The backbone of an interesting story.
  • Dialogue writing
  • Script writing: the audio-visual format.
DEALING WITH THE WRITERS BLOCK
Why do we write? Because we need to tell the story. As children, all of us are born creative. When we learn to talk, there is no difference between imagination and reality. Education encourages us to develop our logic and the creative process takes a back seat. The glimpses of the muse are short and sweet: She comes visiting, she leaves a scene and takes back the movie. Missing the muse, the creative spirit, leads to the writer's block.
Creative blockage can happen to the best of artists. Although we call this a writer's unblocking ritual, this exercise is known to help all kinds of artists in getting over their creative blocks. This exercise is self-introspective and at the same time lighthearted. Words get tossed out, opening a series of self traps. Those who are truly interested in unearthing their hidden depths love this exercise.

NURTURING THE CREATIVE IMPULSE
Why did your grandmother tell you stories when you were a kid? Most likely, to put you to sleep. Why did Shiva dance? To work out his turbulence? What is the purpose of the Nava Rasas? Traditionally speaking, to pass into the Shanta Rasa.
Re -experiencing the turbulence, recalling it, can give you a perspective of how it can be healed. We shall go into both, the happy memories and the traumas that shaped your lives. Re- living is relieving.

SECRET TOOLS OF AN ARTIST
Creativity is not just a hobby. It is a spiritual path. More like a spiritual garden. A garden that is watered with attention and shined on with energy will flower. The creative gardner who is flowing in art carries a bag full of secret tools. I am not talking of the painters canvas and oils. Those you can buy in the shops. My bag is full of attitudes. Devil may care or not, the artist is not an artist without them.

Please note: Creative Writing is the first step of the Script Writing and Film making workshop which will follow the creative writing workshop. Details of the Script-writing and Film making workshop are here and here.

WHAT NEXT
A one month workshop, is a beginning. For those who are committed deeply, I mentor first time writers through their novels. Click here for the post on online mentor-ship. (http://baktoo.blogspot.com/2010/07/online-writer-mentor-ship.html)


TEACHERS PROFILE

Authored a novel, 'A Grasshopper's Pilgrimage'. This book is available in most of the Crosswords and Landmarks, and on flipkart.
I am also a film maker. I studied at the Film and Television Institute of India, Pune. I have made several documentary films, and taught the various aspects of film making at NID (National Institute of Design), Ahemedabad and also at the FTII.
I have conducted several creative writing workshops at the Srishti School of Art and Design and Times of India Nalanda group, Bangalore, Ahemedabad and Mumbai.
I write for the creative outlet, deep fulfillment and clarity of mind that sometimes comes as a gift with a good session of writing. I teach what I most need to learn.
My films, three chapters of my book, and all my activities are uploaded here: www.storygram.in.


Thursday, September 8, 2011

Introductory class of Scriptwriting and Film making in Bangalore




Introductory classes of Scriptwriting and Film making
every Sunday of September, 2011
from 11am to 2 pm  

at Protospace, Sanjay Nagar, Bangalore.

All of you who are interested in checking out the scriptwriting and film making course are invited to attend a free trial three hour introductory class. 

CLASS CONTENT

  • This class will sample an hour of script writing and an hour of film making inputs.
  • Since this course is oriented towards fiction, we will be watching a short fiction film, 'An occurrence at the owl creek bridge', to understand some brilliant tricks of editing.
  • A brief summary of the flow of the syllabus will be followed by a question and answer session.

Registrations for the 4 month script writing and film making course will be on at the Introductory Class - we can tell you about the course and you can formally register for it if you would like to.

Please call us on 9945192862, or 996469006 to confirm your attendance or for further inquiries.

Venue : PROTOSPACE, No. 6 , 2 cross. M.R.Garden, near Rangabharana Kala Kendra, Sanjay Nagar, Bangalore 560094. (Five minutes from Mekhri Circle) . Click on the image above to get a clear idea of the venue. .


Time : You can attend either the morning session from 11 am to 2 pm,register for the course, and attend the  afternoon session, from 3 pm to 6 pm.

(details of the course are pasted below)
SCRIPTWRITING AND FILM MAKING COURSE
on Sundays
from Sept to mid Dec' 11
Manjushree Abhinav, a film-maker, novelist and teacher, is organizing a course in film and television direction, from concept to screen, with classes on Sundays over 4 months, in Bengaluru. This course has been especially designed for people who passionately want to make feature films, television shows or short films, but can’t spare the time to learn full-time since they work or go to college on weekdays. Manjushree has taught at the Film and Television Institute of India, Pune, NID ( National Institute of Design, Ahmedabad), and SRISTI, Bangalore.
This Sunday course organised by Manjushree Abhinav has a well qualified and professional faculty, reasonable fees and a convenient location. It gives people the opportunity to learn film-making without leaving their jobs or studies.
So you can now follow your dreams while taking care of your responsibilities.
COURSE CONTENT

The course has been designed to teach the students the basics of film-making. There is a well-worked-out balance of practicals and theory classes. The topics that would be covered are:
Creative Writing : Since this course deals with fiction films, we would first tap the biggest reservoir of stories : an unblocked storehouse of memories and emotions. We will also understand the structure of the conflict-resolution story, and we shall dip into the Navarasas.
Scriptwriting: Audiovisual Writing, Theme, Plot, Step-outline, Structure, etc.
The Elements of Scriptwriting: Characterization, Dialogues, and the Screenplay format  for a fiction film, documentary film and television serial.
Introduction to Screen Grammar: What is a shot? The editing transitions that can be used to join two shots: Cut, Dissolve, Fade, Wipe, Bleach. The various elements of shot-taking: Image Size, Camera Angles, Camera Movements, Lighting. The Rule of Thirds & the Golden Points. Lenses. Depth of Field and Selective Focus.
• Shot Breakdown : How do these concepts actually break up into fragments of shots? We shall watch sequences from films and read out how they are written to understand the application of screen grammar into shot breakdown.
(All the writing classes will have ample writing assignments for the students. These assignments will be either read out in class or feedback will be given over email.)
• Continuity and the Imaginary Line
• Ways of Shooting
• Preparing for a shoot
• Assisting in Direction
• The Elements of Editing : A film is made on two tables, the writing table and the editing table. Pace, rhythm, timing, suspense and surprise: all of these are made or ruined during editing.
• Sound Design
This will be a practical, hands on course, with screenings of film clips of international cinema to illustrate the concepts being taught. The Camera practicals will incorporate the principles of Editing. We will have a professional cameraperson and a professional editor to demonstrate the practical aspects of Cinematography and Editing.
  • The end result of the course will be a short film made by a group of students, with the help of professionals from the industry.

Manjushree Abhinav’s Film & TV Direction Course is right for you if you are:
A Newcomer: The course would equip you to enter the Film and Television Industry as an assistant director or to make short films independently.
A Mediaperson who’s learnt on the job: You would benefit from learning the basics formally and getting your fundas clear.
A Professional who is already working in the Industry in another capacity: It would help you become a full-fledged director.
From the Corporate Sector: The course would add to your qualifications since films are a very important medium of corporate communication & advertising.
Animators will understand film making, which is an important aspect of animation.
The benefits of joining this Film & TV Direction Course are:
SUNDAY CLASSES: Full-day classes on Sundays, so you can pursue your dreams without forsaking the responsibilities of your work or studies.
• WELL-DESIGNED SYLLABUS: More than 50% of class time would be devoted to hands-on film-making, so that you learn how to transform your ideas into films that light up the silver screen. While the course is practical-oriented, the theory portion would help you develop a sound understanding of the basics of story-telling and film-making. You will also be watching many world class films to appreciate the different aspects of the teaching.
• STUDENT FILM: You would write and direct a short film. The cinematography and editing would be done by professionals from the Industry, which would be a great learning experience. It would also result in a well-made film which you can be proud of and use as your showreel as well as submit to film festivals.
• CERTIFICATE: You would be given a certificate at the successful completion of the course.
• FILM FESTIVALS: The student films made as part of the course would be sent to film festivals.
• DEMAND FOR FRESH VOICES: The Indian film and television industry is looking for fresh voices. With the diminishing appeal of the formula masala film, there is a demand for out-of-the-box thinking, for directors who understand the art and craft of film-making. It’s a great time to enter the field
TEACHER'S PROFILE
Manushree Abhinav has authored a novel, 'A Grasshopper's Pilgrimage'.
She is a film maker. She has studied at FTII, Film and Television Institute of India, Pune. She has made several documentary films, and taught various aspects of film making like scriptwriting, making documentary films, video editing, at FTII, NID (National Institute of Design), Ahemedabad, Srishti School of Art and Design, Bangalore.
She has also conducted several creative writing workshops at the Times of India Nalanda group, Bangalore, Ahemedabad and Mumbai.
She blogs at www.baktoo.blogspot.com and her website is www.storygram.in.
CONTACT : Please contact 09945192862 OR manjushree.abhinav@gmail.com for more information.
DURATION : Full-day classes on 12 Sundays and half-day classes on 4 Sundays over 4 months starting from 18th September, Sunday.
FEE STRUCTURE :The course fees cover the classes, the cost of making the student film, and study material like books and cds. A donation of Rs 250 would be given from every student’s fees to a children’s charity.
There are two plans for paying the fees:
1. It is preferable if the student pays the full amount at the time of registration. The total fees would be Rs 24,700 for this plan.
2. It is also possible for the student to pay in monthly installments, in the form of post-dated cheques (non-refundable) that would be submitted at the time of registration. The fees would work out to Rs 29,700 if the payment is made in installments.
The first installment: Rs 10,700
The second installment: Rs 10,000
The third installment: Rs 9,000
Special discounts for Students is available.
ONLINE OPTION : For those living out of Bangalore. it is possible to join in online for the course. However, when the camera and editing practicals start, they will have to come to Bangalore if they want to do the complete course. If they cannot come to Bangalore, they may attend the scriptwriting classes only.

Scriptwriting course would span across half day classes on four sundays and four full Sundays, and cost Rs. 6,200/
STUDY MATERIAL :
The students would be given:
Copies of must have books for film students
Scripts
Links to useful websites and free scriptwriting software
CDs & DVDs of some important films