tore sang jaaungi
Once upon a time, there lived a man called Kabir who weaved cloth for a living. You probably had to study his poetry in your Hindi books. Forget all you ever read. Imagine yourself to be here, in Kabir's house, now, in the fifteenth century.
Kabir lives with his mother, and mostly spends his time weaving cloth and singing his own songs to the beat of the loom.
Seeing his detachment from the worldly and attraction for the spiritual, Kabir's mother takes him to a neighbouring village on the pretext of getting some cotton and gets him married to a young girl. Kabir is neither overjoyed nor unhappy.
On the wedding night, when everyone else is asleep and they are alone, his bride suddenly bursts into tears.
'What? Missing your family? Want to go back?' he asks her.
'No. Never,' she replies.
'Ok. That's fine. Then why are you crying?'
Kabir walks to and fro in the small room, as his bride sits in a corner and weeps.
'You love him?' he asks her.
'Then why did you marry me?'
'My family forced me to. He is from a different caste.'
'Caste is all crap. We are all the same. Get up, wipe your tears. I will take you to him. We will reach early morning.'
The young girl can't believe her good luck. She thanks him profusely and they sneak off into the night.
It has just rained, the sky is clear. The moon is full. A bride and her groom are walking back to her village to meet her lover. But the groom is a poet, and before the song, he warms up with a doha,
'Laali mere laal ki, Jit dekhun tith laal. Laali dekhan main gai, to main bhi ho gayi laal.'
(As I sought the beloved, I began to see Him everywhere. I was so enraptured that I lost myself in Him.)
The terrain gets rocky and slushy. After a while, the young girl begins to tire. Her mood drops and she starts crying again.
'Slow down! I cant walk as fast as you,' she cribs.
'Why not? We are going to meet your lover. You should be walking faster than me.'
'Look at my clothes! Look at all this jewelry! Try walking two steps dressed like this.'
'All right, I get your point. Ok, sit on my back. We can't afford to slow down.'
So she climbs on his back and he carries her like a child. She is overwhelmed and can't stop crying. To soothe her, Kabir starts humming below his breath.
As he has intended, her curiosity is aroused.
'Can't hear you. Sing aloud, please,' she requests the master.
'Naiiharavaaaa humakaa na bhaaveyy, humakaa na bhaaveyy,
Kabirs voice resounds in the dark night, lighting it up with melody.
Naiharwa humka na bhave
Sai ki nagari param ati sundar
Jaha koi jaaye na aave
Chand suraj jahaa pavan na paani
Ko sandes pahuchave
Darad yaha Sai ko sunave
Bin Satguru aapno nahi koi
Jo yaha raah bataave
Kahat Kabeera sunoh bhai sadho
Sapane na Preetam aave
Tapan yaha jiya ki bujhaave
Naiharwa
(Most of you must have heard this song, sung by Kumar Gandharva, Shabnam)
- (translated to English by Linda Heiss)
I don't like my native place.
The lord has a city of absolute beauty
where no one comes or goes,
where there's moon or sun,
no water or wind.
Who will carry this message?
Who will tell the lord of my pain?
I can't see the path ahead,
and going back would be a shame.
Oh beloved, how can I reach
the in-laws' house?
Separation burns fiercely.
The juice of sensuality
keeps me dancing.
Without a true guru
there's no one we can claim,
no one to show the way.
Kabir says, listen friends, seekers,
even in a dream my love won't come
to put out these flames.
The innocent girl's entire turbulence flows out.
For a little while after the song, there is silence. A deep, beautiful silence, a vast space where something happens. Something that can change a person's life. Kabir starts wondering if she has fallen asleep, when, all of a sudden, she starts crying again.
'Now what? You hungry?'
'No.'
'Then?'
She is a fifteenth century village girl. But she finds her voice.
'Tore sang jaaungi.' I shall go with you.
He is a fifteenth century weaver. Who's just got wed.
'Pakkaa?' Sure?
'Sau takaa pakkaa.' Hundred per cent sure.
